1. Sorry, Wrong Number (Film, 1948) - MovieMeter.nl
Behalve een spannende thriller is Sorry Wrong Number een schets van een huwelijk tussen twee mensen die elkaar niet kennen. De flashbacks tonen twee eerzuchtige ...
Drama / Film noir film geregisseerd door Anatole Litvak. Met Barbara Stanwyck, Burt Lancaster en Ann Richards.
2. Sorry, Wrong Number | Thriller, Suspense, Noir - Britannica
22 aug 2024 · Sorry, Wrong Number, American film noir, released in 1948, that was based on Lucille Fletcher's hit 1943 radio play of the same name.
Sorry, Wrong Number, American film noir, released in 1948, that was based on Lucille Fletcher’s hit 1943 radio play of the same name. Barbara Stanwyck played Leona Stevenson, a spoiled, wealthy invalid and hypochondriac who is confined to her bed. While trying to reach her husband (played by Burt
3. Sorry, Wrong Number - Rotten Tomatoes
"Sorry, Wrong Number" works effectively as a straightforward thriller, reeling us into a story of intrigue and betrayal that gets darker and more insidious with ...
Due to a telephone glitch, Leona Stevenson (Barbara Stanwyck), a controlling heiress confined to a wheelchair, overhears a conversation about a plan to kill a woman. Unable to leave her home or reach her husband (Burt Lancaster), and written off by the police, Leona struggles to uncover the truth through a series of phone calls that only lead her deeper into a mystery, which may involve her college rival, Sally (Ann Richards), and a scheme to sell pharmaceuticals on the black market.
4. Sorry, Wrong Number (1948) - Standard Edition
A young, bedridden neurotic woman, who has married a man from the wrong side of the tracks whom she has attempted to dominate completely, gets her wires ...
Barbara Stanwyck and Burt Lancaster star in this classic adaptation of Lucille Fletcher's suspenseful radio play.
5. Sorry, Wrong Number (Film) - TV Tropes
Sorry, Wrong Number (1948) is a Film Noir thriller directed by Anatole Litvak, starring Barbara Stanwyck and Burt Lancaster. Leona Stevenson (Stanwyck) is a ...
Sorry, Wrong Number (1948) is a Film Noir thriller directed by Anatole Litvak, starring Barbara Stanwyck and Burt Lancaster. Leona Stevenson (Stanwyck) is a bedridden, hypochondriac heiress. While on the phone trying to find out where her husband …
6. Sorry, Wrong Number (1948) - UCLA Film & Television Archive
Sorry, Wrong Number (1948) ... Directed by Anatole Litvak. Wealthy New York socialite, Leona Stevenson (Barbara Stanwyck), is psychosomatically bedridden, married ...
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7. Sorry, Wrong Number 1948 | Encyclopedia.com
Sorry, Wrong Number 1948A wealthy, bedridden wife overhears two men plotting a murder on a crossed telephone line, and begins to suspect that one of ...
Sorry, Wrong Number ★★★ ½ 1948A wealthy, bedridden wife overhears two men plotting a murder on a crossed telephone line, and begins to suspect that one of the voices is her husband's. A classic tale of paranoia and suspense. Based on a radio drama by Louise Fletcher, who also wrote the screenplay. Remade for TV in 1989. 89m/B VHS, DVD . Source for information on Sorry, Wrong Number 1948: VideoHound's Golden Movie Retriever dictionary.
8. Sorry, Wrong Number, 1948 - Heart of Noir
Based on a hit radio play by Lucille Fletcher, Litvak's film creates terrifying claustrophobia in an enormous, empty Manhattan brownstone which traps the ...
“You’re right in the heart of New York City and there’s a telephone next to your bed.” These words spoken over the phone to Lenora Stevenson (Barbara Stanwyck) by her husband Henry (Burt Lancaster) are intended as comfort, but instead they encapsulate the danger in Anatole Litvak’s Sorry, Wrong Number. Based on a hit radio play by Lucille Fletcher, Litvak’s film creates terrifying claustrophobia in an enormous, empty Manhattan brownstone which traps the disabled Lenora like a sitting duck for the hit men arriving any minute. Having overheard a telephone conversation plotting her murder, she desperately reaches out to anyone who might know where her husband is, most helpfully Henry’s former girlfriend Sally Hunt (Ann Richards) whose husband, Lenora soon learns, works in the district attorney’s office and has been investigating Henry’s criminal ties. Effectively heightening Lenora’s alienation (and occasionally providing indirect exposition), Polito’s constantly floating camera moves slowly downstairs, searchingly across rooms, even out Lenora’s bedroom window and down the side of her building to a shadowy figure breaking in. Also note the hazy, surreal flashbacks on a beach in Staten Island where Sally tails her husband and his associates; the low-contrast dreaminess brings Sally’s reliability as narrator into doubt. Stanwyck is fantastic as the selfish, entitled daughter of pharmaceutical tycoon James Cotterell (Ed Begley), her performance reaching a thrilling crescendo as he...
9. Sorry, Wrong Number (1948) is a Flawed Film Noir | Geeks
Sorry, Wrong Number is not the best film noir but the climax ends on a terrifying conclusion that I was not expecting.
'Sorry, Wrong Number' is not the best film noir but the climax ends with a terrifying conclusion.
10. Kennington Noir presents Sorry, Wrong Number (1948)
17 jul 2024 · Advance tickets may be purchased from Ticketlab, or direct from the Museum by calling 020 7840 2200 in office hours. Sorry, Wrong Number ...
In this classic noir, Barbara Stanwyck plays a bedridden woman who overhears a murder plot while on the phone.
11. Sally's hiding in the subway in Sorry, Wrong Number (1948) - Alison Peirse
26 dec 2020 · Leona Stevenson is sick and confined to her bed. One night, whilst waiting for her husband to return home, she picks up the phone and accidentally overhears a ...
A few days ago, I was casting around for a film to watch, a little fruitlessly. I wanted to wind down, not be hugely intellectually challenged, just really entertained. I also wanted guaranteed quality plot, excellent filmmaking, and some fantastic acting. Not much then.It's this kind of mood that drives me to go further back in time with my film choices.I did my PhD on 1930s American cinema, and have always enjoyed escaped into the 1940s, working my way through all the women's film, film noir,
